Next is exposure bias where you can brighten or darken the incoming video directly.
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In that mode, you get the controls shown on the bottom of Figure 1, which, from left to right start with exposure mode, where you can opt out of auto-exposure and select ISO level and shutter speed with a helpful exposure meter.
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When shooting video, you can either shoot in Auto mode or choose Pro mode as shown on the right in Figure 1 (below). When you choose the content to add, you can select the clips in the order you want them in the timeline, which simplifies getting to a rough cut. You can load content from different folders on your computer/mobile device like photos, videos, and the like, as well as from Dropbox and the Adobe Creative Cloud, along with Rush soundtracks available as accompaniment. When you start working for real, you start a project by loading existing content or shooting new photos or videos. I recommend taking the tutorial on each device you use for editing, particularly on phones where the interface is necessarily cramped and some controls obscured. When you start your first project in Rush, irrespective of the platform, you have the option to go through a short tutorial that exposes you to most of the controls available in the program. To illustrate this and more, I’ll walk you through a typical project workflow covering iPhone functionality at the start and desktop at the end. So, I was eager to see how it worked in this limited role. Every year I film 8-10 interviews on my iPhone at NAB and the workflow to trim the heads and tails, apply titles, and upload the clips to Brightcove (Streaming Media’s OVP) has been tortuous with other iPhone editors that I’ve tried. On my iPhone X, rendering was shockingly fast, with export functions for most social media platforms.įrom my perspective, Rush is most interesting for its iPhone functionality. On mobile devices equipped with video cameras, Rush shines from the start, exposing pro-level controls for exposure, focus, and the like. If you’d like, you can store all Rush project files and project assets in the Adobe Creative Cloud so you can seamlessly switch editing from your mobile device to your workstation, and if you’d like to edit in Premiere Pro, you simply load the Rush project in Premiere Pro.įunctionally, on all platforms, Rush offers an impressive range of editing features, including multiple video tracks, extensive color adjustments, access to Premiere Pro MOGRT title templates, simple transitions, and extensive audio editing and filters. For example, it is available for my iPhone X but not for my Samsung Galaxy Tab A.
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Rush is available on Windows and Mac and on certain (but not all) iPhones and Android devices. If you’re looking to start on your phone or tablet and finish up on your workstation, Rush can’t be beat. If you’re familiar with Adobe Premiere Pro, you probably won’t want to switch when editing on your primary workstation, but if you’ve been looking for a simple and efficient way to shoot and edit video on your phone or tablet, Rush definitely fills the bill. If you’re new to editing altogether, it’s a great starting editor. The value proposition provided by Adobe Premiere Rush varies according to how long you’ve been editing and where you edit.
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